(Humor) “Kiss Cam Breakup” Worse Moment Ever

http://www.youtube.com/watch?feature=player_embedded&v=GE88upiaSyg The Kiss Cam moments at stadiums and arenas often make for good entertainment, but during a minor league baseball game in Fresno last week something went wrong for one couple. Sometimes when the camera pans around and finds couples it can be awkward because they’re not really a couple.…

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Ja Rule Is Finally Out of Jail

Ja Rule was released from prison early this morning after serving nearly two years on charges of illegal gun possession as well as federal tax evasion. According to TMZ, he was picked up by his wife at around 10 AM. But Rule isn’t totally free yet, he’ll be on house arrest until…

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Harry Fraud “High Tide”

UPDATE: French Montana, RiFF RaFF, Action Bronson and Earl Sweatshirt appear on Harry Fraud’s second free EP this year, a partnership with Scion A/V. Brooklyn, New York producer Harry Fraud has announced his third free project in less than a year. Following 2012’s Cigarette Boats with New Orleans, Louisiana emcee…

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Scott Storch On 50 Cent: “We Can’t Make A Bad Record”

The platinum producer also dishes on his work on “Detox” and with Dr. Dre in the late 1990s.

Scott Storch says he and 50 Cent can’t lose. The Miami, Florida-based producer of Curtis Jackson‘s “Candy Shop” and “Just A Lil Bit” says he hopes to work with the G-Unit general again because of their flawless track record.

“50 [Cent], he’s ill,” Storch said in the two-and-a-half minute clip. “For some reason, we can’t make a bad record. Every time me and him make a record, it’s some fucking dope, fly shit. The success rate is 100% with us doing stuff together.”

Storch also discussed his work on Dr. Dre’s Detox in the video. He says Dre probably has about “3 million” songs recorded for the album, but he does not discuss when or if the long-delayed project will ever come out.

Elsewhere, Storch reflects on his work with the Aftermath Entertainment mogul in the late 1990s and how they created what would become Storch’s signature piano- and string-driven sound that was featured on Dre’s 2001 LP and elsewhere.

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